Showing posts with label Len Wein. Show all posts
Showing posts with label Len Wein. Show all posts

Tuesday, February 23, 2021

Panel Discussion: Frankly Fond of the Fantastic Four...

 


Redartz:  Yes, it's true. I'm quite fond of Marvel's 'first family', the Fantastic Four. And this affinity goes  back a long way, to nearly the start of my comics interest. You've all heard how I cut my comics teeth on Superman and Spider-man; well after the wall crawler, the FF pulled a strong second place. This probably stems from exposure to (and devotion to) the 1967 Saturday morning exploits of the FF as presented by Hanna Barbera. 

 



That and Spidey were the definite highlights of those cartoon mornings for me, and it led to me picking out some FF issues off the spinners (which was, no doubt, the hope and expectation of Marvel executives). Oddly, though I recall almost all my old Spidey issues easily, those FF issues are more difficult to pin down. One that I do remember distinctly having was Fantastic Four Annual 6, with Annhilus. I was drawn irresistibly to that swirling red Kirby/Sinnott masterpiece cover. It's still a favorite. Incidentally, that summer had two 'swirly' covers, both of which I picked up- the other being, of course, Spider-Man Annual 5. What a combination those two books made...

 

Years later, when I returned to Marvel after years of Archie exclusivity, the second book I picked up was, again, Fantastic Four. This time it was issue 147, in the heart of the Thomas/Buckler era. And I loved it; making the FF another 'must buy' each month. Oh, and Rich Buckler's Kirbyish art really grabbed me. Yes, it was obvious, but the book looked great., and the stories were classics. Doom and the Surfer, Counter Earth, the Inhumans- just so much good reading.  Thomas, Wein, and Wolfman put together a very solid multi-year run on the title. Yes, there were a few reprints and a few clinkers, but overall the FF held a level of quality few comics could match.

 And returning to art, the FF seemed blessed with solid art for most of it's history. From Kirby to Buscema to Buckler to Perez to Byrne; it was like a Comics Art Hall of Fame! Much as I hated to see Buckler leave the book later on, his replacement by George Perez really eased the pain. Still later, Keith  Pollard did wonderful work on the book, and Seinkewicz was different but interesting.  

 

Then there was John Byrne. He took the Four to heights unseen since the days of Lee and Kirby. Under his auspices the Fantastic Four became my number one favorite; even beating out Spider-man and the X-Men. Which was an accomplishment, believe me. His run on the book, over several years, still stands up as a high point in 80's comics. I look through those books even today and am stunned by how good they were, and are. 




But what about the Fantastic Four themselves? What made them appealing to 7 year old, 14 year old, and 23 year old Redartz? The characters, obviously. "Marvel's First Family", indeed. The series had a feel unlike any other, with that family dynamic guiding the storylines and character development. And the characters- four fascinating ones. Reed, the rather obsessive intellectual. Sue, who grew from a seemingly supportive role to become perhaps the team's strongest and most interesting member. Johnny, the Kid, but with heart (and his terrific 'frenemy' relationship with Spidey). And Ben, wonderful Ben. Ben Grimm may be the greatest, deepest character to arise from the minds of Lee and Kirby. So, so many excellent stories have been focused on him, his frustrations, his conflicts, and his personality. No wonder he trails only Spidey on my list of favorites. 

So there's the reasoning behind my fondness for the Fantastic Four. We'll wind up with a few more eye-catching covers that capture the greatness of the series. So after you feast your collective eyes upon them, let's share our thoughts about all things Fantastic! 

 








 








 

Monday, October 2, 2017

Chew the Fat: A Treasury of "Batman's Strangest Cases"


Limited Collector's Edition C-59, 1978
Batman's Strangest Cases




Redartz:  Ever since I first started collecting comics, I've been a Marvel Zuvembie. And this is reflected, no doubt, in the many Marvel-themed posts you've seen from this aging fanboy. But today it's time to give DC a little love. Specifically, a spectacular issue of the "Limited Collector's Editon" featuring everyone's favorite Darknight Detective. DC's treasury-sized books predated the "Marvel Treasury Editions" , but I had never sampled them. I'd focused entirely on the Marvel giants. Until this one, that is. 

 



"Batman's Strangest Cases"; from the striking Neal  Adams wrap-around cover to the all-star lineup of creators, this treasury offered a wealth of pleasures. And as for the story selection- wonderful; most of the included tales, it turned out, I'd never read. So finding this gem at a flea market for two dollars was an irresistible temptation. Oh, a couple notes regarding that cover: according to the Grand Comic Book Database (and many thanks are due those folks for some of the information in this post), the cover was pencilled by Adams and inked by Bernie Wrightson. That may be the first time I've encountered that creative teaming. Also, Robin is featured prominently on this cover, but never appears inside. Ah well...

The lineup included:

"Red Water Crimson Death" by Denny O'Neil and Neal Adams
This is an eerie tale of ghosts, plots and menace. Originally presented in  Brave and the Bold 93, featuring Batman and the House of Mystery (or more specifically, Cain from the House of Mystery, who narrated the story). This story starts the treasury off beautifully, with some truly fine artwork. That first page is really sharp...






















 Here's the final spread from the story; the colors here are spectacular and quite effective (and are credited, incidentally, to Bob LeRose).
 


 "Night of the Bat" by Len Wein and Bernie Wrightson
This story, from Swamp Thing 7, was the only story I'd previously read in this collection. A classic, made all the better by the larger size of the artwork (a big advantage to the Treasury-size format).  

 

  
"The Batman Nobody Knows" by Frank Robbins and Dick Giordano
This was a novel little short, with Bruce Wayne chaperoning a group of kids at a campout. But rather than ghost stories, the group shared their impressions of Batman. Reprinted from Batman 250.

 
"The Demon of Gothos Mansion" by Denny O'Neil, Irv Novick and Dick Giordano
 Another ghost story, with the added threat of a group of cultists. As with the first story in this book, Denny O'Neil delivers a good one, nicely illustrated by Novick and Giordano. Batman seems well-suited for these somewhat more macabre tales; a nice change of pace from super-villains. This first appeared in Batman 227.


 
"A Vow From the Grave" by Denny O'Neil, Neal Adams and Dick Giordano 
I remembered the cover from this story, showing the 'boy with flippers', but this marks the first time I've actually read it. Batman follows a killer, and the trail leads him to meet some rather unusual folks. First seen in Detective Comics 410, this story concludes the collection with yet another entertaining yarn; and with typically striking art from Adams/Giordano. Again colored by Bob LeRose; he does some nice work. By the way, that opening page seems a bit evocative of Joe Kubert. Not that that's any fault; far from it!






This treasury ends with an informative write-up, by Mike W. Barr,  of some other 'strange tales of Batman' (occupying the inside back cover) . He discusses several other notable stories from several points in Batman's lengthy history, and summarizes each nicely. It makes for compelling finish to a full package of comic entertainment. The 2 dollar price for this edition would have been well worth it in 1978. Much, much more so as a lucky find in this day and age!

Thursday, December 8, 2016

Two Questions: The Influence of Art and the Fall of Westerns!

Martinex1: Here are two random new questions to ponder and respond to.  Hopefully they get your mind to wander on a cold Winter day.

QUESTION 1: How important an influence was the great art (from the likes of John Byrne, Gene Colan, and George Perez) to the success of stories penned by prolific writers like Len Wein, Ralph Macchio, Marv Wolfman, David Michelinie and Mark Gruenwald?

(Thanks to our friend Doug for inspiring question #1).
Ralph Macchio
David Michelinie

Marv Wolfman

Len Wein

Mark Gruenwald
Michelinie / Perez

Macchio / Colan

Wein / Perez


Gruenwald / Perez (c) / Byrne (i)

Wolfman / Perez
Wein / Jim Aparo

Michelinie / Bob Layton

Wolfman / Gil Kane




















QUESTION 2:  Is there still life in the Western genre or has it truly been left in the past?





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