Redartz: One book that really served to educate me early on about the comics industry and all it's variations was Les Daniels' "Comix: A History of Comic Books in America". Published in 1971, it was fairly current in 1974 when I got into comics seriously. Although the chapters on humor, funny animals, Marvel and DC were familiar territory for the burgeoning reader in me, the chapter on Underground Comix (spelled with an 'x' to differentiate from mainstream comics) was a real eye-opener.
Here were described all the things that my parents were originally afraid that comics would expose me to: politics, sex, drugs, and rock'n'roll. Some of the material Daniels reprinted was explicit enough to make my naive self slightly uncomfortable. But some years later, I discovered a lot of great reading in those same Undergrounds. In particular, "Arcade: the Comics Revue" from Art Speigelman and Bill Griffith, showcased work by many of the Underground's top talents: Robert Crumb, Denis Kitchen,
Aline Kominsky, Spiegelman and Griffith.
Bill Griffith was the man behind "Zippy the Pinhead", a very odd book that I found irresistable. Another book he produced was "Griffith Observatory", a heavily satiric, critical eye on American society of the late 1970's.
Art Spiegelman, among many other things, gave us the monumental graphic series (and later novel) "Maus". And to this day, "Maus" remains the most powerful, most gut-wrenching, most impactful comic I've ever read.
Which brings up another point about Undergrounds. Originally Undergrounds, which arose in the 60's and early 70's, were focused mainly on the non-code approved subjects mentioned above. Hence they were primarily available through 'head shops', college bookstores and such. But as they faded from the scene by the late 70's, they evolved into the Independent comics we enjoyed in the 80's and beyond. That may be a bit of an oversimplification, but many of the creators, subject matter and material that made the Undergrounds paved the way for books like "Maus". We got Harvey Pekar's "American Splendor", Los Bros Hernandez' "Love and Rockets", and so on. Then there was Daniel Clowes, known for "Ghost World" and "Eightball", but I'm fond of his "Lloyd Llewelyn".Therefore, this week, let's join the Underground. Whether it was Crumb's "Zap", or Howard Cruse's "Barefootz", what comics (comix) did you get a kick out of? Did you risk your parents' disapproval by indulging in a few Undergrounds? Did you follow any of the 80's indies? Could "The Walking Dead" exist without the ground being broken by Kitchen Sink's "Death Rattle"? It's all on the table, all that edgy, risky, 'hide it from Mom and Dad' stuff...