Chew the Fat: Giant-Size Marvels!

 

 

Redartz:  Back in the Bronze age, specifically two memorable years in the mid 1970's, Marvel Comics engaged in a noble experiment in four color entertainment. 1974 and 1975 saw the publication of the Giant-Size Marvels! Extra-sized editions of many of Marvel's most popular titles, each appearing on a quarterly basis. Granted, Marvel had published bonus-sized Annuals in the past, and DC had been doing giants for some time; but this was still a leap of faith for Marvel. 

Although that 'leap of faith' lasted only about two years, it produced quite a few great stories, and one truly monumental one. Marvel's 'Giant Size' era began with "Giant Size Super Stars", a 35 cent gem featuring the Fantastic Four. This was immediately followed by "Giant Size Super Heroes" with Spider-man; both of these books hold fond memories for me. I'd just started collecting, and these two seemed like a reward for taking that 'leap' of my own! 

Marvel had originally planned to release books at the 35 cent level as well as a series of "Super Giant" titles, but apparently that all got too confusing; starting the next month the Giant Size titles all cost 50 cents for 68 pages. The format was a new 'novel length' lead story, followed by a reprint of a classic Marvel tale appropriate to the particular title. All the 'big guns' had Giant-Size editions: Spider-Man, Fantastic Four, Avengers, Defenders. Additionally, numerous other Marvel books got the Giant treatment: Master of Kung Fu, Dracula, Man-Thing. Even an attempt was made at another horror anthology with new stories: Giant-Size Chillers! 

As the  months went on, Marvel made the Giant format a means to debut new features: Super-Villian Team Up, with Dr. Doom and the Sub-Mariner; and Invaders- telling WWII stories of Marvel's Golden Age Captain America, Sub-Mariner and Human Torch. Then of course, the most monumental of all was the return and reboot of the X-Men by Len Wein and Dave Cockrum; a book that launched one of the most successful franchises in comic book history. 

But as 1975 wore on, it looked like the days of the Giants were numbered. The last round of Giants were all reprints, adding such titles as "Giant Size Thor" and "Giant Size Dr. Strange" in a sort of revival of the old Annuals. Those Annuals, incidentally, would return the next year in 1976, which helped offset the sting of losing those monthly Giants. 

My personal favorites? I mentioned the Spidey and FF issues above, another huge favorite was Giant Size Avengers 2: with the "Celestial Madonna" and Kang, it was one of the best Bronze age Avengers tales ever. Then there was Giant Size Defenders 3, with Daredevil guest starring; a cool story with the Grand Master. Yet another that I loved was Giant Size Man-Thing (you knew I'd fit that in somewhere, didn't you?) 4: a particularly intense Manny story by Steve Gerber, and the first solo story for Howard the Duck. I could go on and on, but you get the idea. It was a huge treat to see these big editions supplementing the regular four color fun we got in the 32 pagers. 

In conclusion, here's a selection of covers to prompt your memory and excite your eyeballs. What Giants were your favorites? How did they compare to DC's giants? What other characters should have had Gant sized books? For our UK contingent, did those stories ever see print across the pond? Were you ever fortunate enough to encounter any of the US Giants? This week, we're all Giants...

 

 

    

 

 

 

   

 

 

 

 

   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

Two Questions: Field of Dreams, Comics Style

 

 Redartz: If you're any fan of American Baseball, you've heard about the recent "Field of Dreams" game. If not, you may be familiar with the iconic Kevin Costner movie by that title. Well, in both cases, part of the charm (perhaps the whole point) is the magical blending of past and present. Or to paraphrase James Earl Jones' speech, ...All that was good...and could be again...". 

Anyway, it seemed like it might be fun to apply that approach to comics. Just how, you ask? Well, in a two fold question form, that's how. And for our UK contingent, never fear- you can answer these questions too; they aren't baseball specific. Shall we begin?

The first part of the question parallels the movie, bringing the past into the present. Therefore, your challenge is to think of a comic book or series from the past  (say, before Marvel circa 1961). Then offer your ideal creative team of Bronze age-or-later  vintage to bring new life to that title. 

My submission: It's common knowledge that I loved Marvel's "Man-Thing " series, especially under Gerber and Ploog. And the book still gets reboots in our current world. So, let's dig waaaay back to the EC Comics of the 1950s and try Ghastly Graham Ingels on the book! Bet he'd be a perfect fit...

Man-Thing by Mike Ploog

 

Old Witch by Graham Ingels

 

 

 

 

 

 

 

 

 

 

 

 

 

The second part of the question is based upon the recent game, wherein the present was revised as the past. Your challenge here is just the opposite of the first part, i.e. name a recent (Bronze age or later) comic or series, and present a classic creative team from the Halcyon Days of Early Comicdom. 

My submission: Anyone familiar with "Lady Luck"? A cool character created by  Will Eisner and Chuck Mazoujian,published as part of the famous "Spirit Sections", and by  Quality Comics. To my mind, the first choice for a contemporary artist for her would be Bruce Timm. I'd buy that book in a heartbeat!

 

Lady Luck by Gill Fox

Batgirl by Bruce Timm

 

 

 

 

 

 

 

 

 

 

 

Oh, and incidentally- for any fellow baseball fans out there, feel free to toss in a comment or two about the movie and/or the game. If you haven't guessed yet,  I enjoyed both. And I'm ecstatic that next year's Field of Dreams game will involve the Cincinnati Reds and the Chicago Cubs.  Oh, for a ticket...

Rank and File: My Favorite Year...

Redartz:  Greetings all! For this week's discussion; we're going to update / expand upon a post I did several years ago at Doug and Karen's fondly remembered Bronze Age Babies. That post was dedicated to choosing a favorite summer, and sharing the reasons why. Here's a link to that original post (with thanks again to Doug and Karen):  http://bronzeagebabies.blogspot.com/2016/06/open-forum-your-favorite-summer.html#links

As our title above indicates, today we are tweaking that subject to select a favorite year. The characteristics of your favorite year will, of course, be subjective; it's your year, you pick the reasons why. Maybe it was the comics, maybe the television, perhaps it was something more personal. Whatever your reasons, what year do you look back upon with the most warmth?

In that previous BAB post, I named 1975 as my favorite summer. For favorite year, I'm sliding back a year to 1974. My reasons: 

Primarily, that was the year I 'returned' to comics.  I say 'returned' because in one sense, I never left- but 1974 was when my junior high pal convinced me to pick up some Marvel (and later DC) books after several years of Archie and Charlton reading. And that reunion with comics lasted, in one form or another, to this very day. 

But 1974 has more to offer than just that personal milestone. Man, what a year to start reading:

 


Marvel brought out the Giant-Size books, and the Treasury Editions,DC had the 100 page giants.  Gerry Conway and Ross Andru had Spidey fighting Molten Man, Jackal and Mysterio. Thomas and Buckler had the Fantastic Four tackling Sub-Mariner, Dr. Doom, Frightful Four and the Silver Surfer. The Avengers were dealing with the Celestial Madonna and Kang (repeatedly). Steve Gerber and Mike Ploog were doing Man-Thing. There were Marvel Value Stamps (yes, I was one of those who clipped them out; mea culpa). Just so much comics fun; it was mind-shattering. 










Ah, but 1974 also knocked me out musically. That was also the year I started following pop music, specifically Casey Kasem and American Top 40; and learned there was something called a "Billboard Hot 100". Some of my all-time favorite singles emanated from that halcyon year. Gordon Lightfoot's "Sundown". 

Hues Corporation's "Rock the Boat". Wings' "Band on the Run". MFSB's "TSOP".

 Ray Steven's "The Streak". Steely Dan's "Rikki Don't Lose That Number". Carole King's "Jazzman". 

And that merely scratches the surface. Every week tuning in to AT40 was like magic that year.

So there it is, my testament to 1974. What year gets your vote?

This & That: Micronauts 7; Micronauts and Man-Things...

Micronauts 7;  July 1979

Cover by Michael Golden and Neal Adams

Writer: Bill Mantlo, Pencils Michael Golden, Inks Josef Rubinstein

Redartz:  Hey folks! For many months we have planned to do a review of a Micronauts issue, and in this Halloween season, what better issue to feature than one guest starring the macabre Man-Thing? So what are we waiting for, let's get started!

To begin with, here's the capsule summary of the action (there's so much going on in here, I don't think a 100-word review will suffice). 

 

The main storyline opens with the Micronauts (Commander Arcturus Rann, Marionette, Prince Acroyear, Biotron, Microtron and Bug) in the company of young Steve Coffin, the son of former astronaut Ray Coffin. Long story short, they are fishing at the Coffin's Everglades retreat while hiding out after escaping from H.E.L.L.(the Human Engineering Life Laboratory) at Cape Canaveral. Steve's father worked there and fell into the Promethius Pit (a dimensional interface) and disappeared. Take my word for it.








Anyway, Steve is grieving for his missing, and feared dead, father. But recall, this is the Everglades, and therein lurks a denizen particularly sensitive to such strong emotions: the Man-Thing. Manny is attracted by Steve's grieving, and makes his way to the fishing shack. Steve, emotionally distraught, runs from the shack right into the presence of the Man-Thing. 

Of course his first reaction is terror, and as we all know, "whatever knows fear burns at the touch of the Man-Thing". The Micronauts rush to Steve's defense, but prove pretty ineffectual against the walking slime bog. 

 


Steve finally pulls himself together and is determined to make a stand; he fires up the swamp buggy and essentially puts the Man-Thing through a blender. Of course this doesn't harm the creature, but he feels Steve's courage and wanders off into the swamp.

Oh, and there is also a brief retelling of the Micronauts' origin...

 


We also follow up on Ray Coffin, who fell into the Microverse with Dr. Promethius. Promethius has gone nuts and is discovered by the villainous Baron Karza who plans to possess Promethius' body in order to invade Earth in search of the Micronauts. Also, Ray himself has been transported to the presence of the mysterious Enigma Force. Then we catch up with the rebels on Commander Rann's home world, Homeworld.  And finally, it appears Baron Karza has succeeded in reaching Earth!

Yes, all this in a  32-page comic. This would require a six issue arc, these days...
Martinex1: I could not agree more Red.  One of the things that made The Micronauts one of my favorite books was the complexity of the storytelling.  It may not be Shakespeare, but Bill Mantlo and the artistic teams sure piled a lot into every issue.  I really wish comics were still like this.  At the very least it gave me a good long read; at best it drew me into the detailed plots and intricate characterizations.   I know that the book does not carry the cache of The Avengers or The X-Men, but back in the Bronze Age this book was on par with the greats.

The Cover:

Redartz: One of the biggest attractions to this comic. This is a truly incredible cover, rich with detail and swampy moodiness. Golden's art is wonderful to begin with, and having Neal Adams inks just puts 'extra sprinkles on the frosting'. Man-Thing looks great, and that snake in the foreground could slither right off the cover.
Martinex1: I agree.  How could this not be a "must buy book?"  Golden's style has changed a bit over the years, but I really liked this era in his career.   His characters had a style that was distinct and there were always levels to the detail. Both here and on ROM Spaceknight covers, his work stood out for me.

The Story:

Redartz: First off, I love the title "Adventure into Fear." An homage to Man-Thing's first 32-page comic series. A nice touch.

As noted above, there's a lot of material in this story. Mantlo does a fine job interweaving the myriad storylines together, and there are several. Karza's pursuit of the Micronauts, Ray Coffin's disappearance, the revolt on Homeworld, and the teaming of Steve with the Micronauts themselves. 

Speaking of which, Mantlo also succeeds nicely at giving voice to each unique character. Acroyear's dignity, Bug's wit, Microtron's subtle humor. What's more, Mantlo portrays the character of teenage Steve with sensitivity and perception. 

Another feature of Mantlo's writing here is the gradual exposition of the Micronaut's back story. The origin is revealed over the course of several issues, here Princess Mari (Marionette) learns some of that background from Rann's android friend Biotron (with whom Rann shares a mental link). One interesting feature of the Micro's tale is the depiction of Homeworld as a chain molecule. 
Martinex1: I love that molecular detail.  In later chapters we find that each world has a different climate, nature, or theme.  It was a very creative touch.
Redartz::This tale has just about everything: some humorous bits. The climactic scene of Steve putting Man-Thing through the swamp buggy could have come from an old issue of "Mad", when it still had that EC edginess. Of course there's plenty of drama and character development, and a generous helping of horror. That scene (shown above) of Bug trapped beneath Man-Thing's hand, burning alive with fear, is grimly chilling. Then there's that perfectly ominous final panel of Baron Karza emerging to Earth from the Promethius Pit; much stated in that single frame.
Martinex1: For those that don't know the Micronauts' lore, part of the story took place on their molecular homewold(s) and other sections occurred on Earth as the heroes traversed through a breach in the spacewall.  On Earth, the Micronauts were always about 6 inches tall.  In an early issue when they first arrived on our planet, the team marveled at a playground swing set.   They were trying to figure out what the structure was and they supposed it was perhaps a religious monument.  It was touches like that - their bewilderment of Earth - that expanded the entertainment for me.


The Artwork: 

Redartz: What is there to say? Michael Golden is phenomenal, and Joe Rubinstein's a premier inker. They make a very attractive, effective team here. 
Golden really shines at facial expressions, as seen in the panels above with Ray and Steve Coffin. With so much going on in this issue, it would be easy for things to get muddled; but Golden keeps the story moving with clear design and intricate (but not too-detailed) rendering. And speaking of rendering, Golden's depiction of the Man-Thing strikes me as very reminiscent of Mike Ploog's. And that is definitely a good thing. 

One minor negative, artwise: the art does suffer a bit from muddy printing. It may just be my copy, but some of the linework tends to get a bit lost. I'd love to see the original artwork from this book...
Martinex1: As would I.  When Michael Golden's work appeared in the first two issues of Marvel Fanfare, it was so apparent how a better printing process benefitted his details and lines. 

The Good:
Redartz: The artwork From the Microverse to the Everglades, each scene is unique and finely rendered. 
Martinex1: Also I think Mantlo must have enjoyed working on this title, because I feel that his characterizations and plots here were among his best.

The Bad: 
Redartz: Nothing really bad, but one little note: In the scene, shown above, where Marionette emotes concern over Bug's fiery fate, Commander Rann gets pretty wordy about his parent's background. It would seem more appropriate for a simple 'Holy Mackeral' as they rush to Bug's rather urgent need.
Martinex1:  Hah!  I agree, but that is also conversely what I so loved about the Bronze Age!

The Ugly:
Redartz: Once again, that panel of a burning Bug. It got to me the first time I read this, and it still creeps me out.
Martinex1: I have nothing here. 

Redartz: To sum up, a very good, solid Bronze age tale, well told and well illustrated. I would note that it might have been somewhat tough for someone starting the book with this issue, as so much is taking place and there's not much time for rehashing. But I'd recommend this comic, and indeed this title, to anyone. One of the Bronze Age's finest 'B' series. 
Martinex1: I think you already know where I stand, but to your point I would recommend that if you read this title that you start with issue #1 and definitely take in the first twelve issues.  That first year is really spectacular and tells an epic story.  It is too bad that this series does not get collected.  Later issues are great too as Pat Broderick takes on the art chores.  All in all, it was a great read with fantastic art.  I am anxious to hear what our frequent commentators have to say.  Cheers all!