Panel Discussion: Frankly Fond of the Fantastic Four...

 

Redartz:  Yes, it's true. I'm quite fond of Marvel's 'first family', the Fantastic Four. And this affinity goes  back a long way, to nearly the start of my comics interest. You've all heard how I cut my comics teeth on Superman and Spider-man; well after the wall crawler, the FF pulled a strong second place. This probably stems from exposure to (and devotion to) the 1967 Saturday morning exploits of the FF as presented by Hanna Barbera. 

 

That and Spidey were the definite highlights of those cartoon mornings for me, and it led to me picking out some FF issues off the spinners (which was, no doubt, the hope and expectation of Marvel executives). Oddly, though I recall almost all my old Spidey issues easily, those FF issues are more difficult to pin down. One that I do remember distinctly having was Fantastic Four Annual 6, with Annhilus. I was drawn irresistibly to that swirling red Kirby/Sinnott masterpiece cover. It's still a favorite. Incidentally, that summer had two 'swirly' covers, both of which I picked up- the other being, of course, Spider-Man Annual 5. What a combination those two books made...

 

Years later, when I returned to Marvel after years of Archie exclusivity, the second book I picked up was, again, Fantastic Four. This time it was issue 147, in the heart of the Thomas/Buckler era. And I loved it; making the FF another 'must buy' each month. Oh, and Rich Buckler's Kirbyish art really grabbed me. Yes, it was obvious, but the book looked great., and the stories were classics. Doom and the Surfer, Counter Earth, the Inhumans- just so much good reading.  Thomas, Wein, and Wolfman put together a very solid multi-year run on the title. Yes, there were a few reprints and a few clinkers, but overall the FF held a level of quality few comics could match.

 And returning to art, the FF seemed blessed with solid art for most of it's history. From Kirby to Buscema to Buckler to Perez to Byrne; it was like a Comics Art Hall of Fame! Much as I hated to see Buckler leave the book later on, his replacement by George Perez really eased the pain. Still later, Keith  Pollard did wonderful work on the book, and Seinkewicz was different but interesting.  

 

Then there was John Byrne. He took the Four to heights unseen since the days of Lee and Kirby. Under his auspices the Fantastic Four became my number one favorite; even beating out Spider-man and the X-Men. Which was an accomplishment, believe me. His run on the book, over several years, still stands up as a high point in 80's comics. I look through those books even today and am stunned by how good they were, and are. 

But what about the Fantastic Four themselves? What made them appealing to 7 year old, 14 year old, and 23 year old Redartz? The characters, obviously. "Marvel's First Family", indeed. The series had a feel unlike any other, with that family dynamic guiding the storylines and character development. And the characters- four fascinating ones. Reed, the rather obsessive intellectual. Sue, who grew from a seemingly supportive role to become perhaps the team's strongest and most interesting member. Johnny, the Kid, but with heart (and his terrific 'frenemy' relationship with Spidey). And Ben, wonderful Ben. Ben Grimm may be the greatest, deepest character to arise from the minds of Lee and Kirby. So, so many excellent stories have been focused on him, his frustrations, his conflicts, and his personality. No wonder he trails only Spidey on my list of favorites. 

So there's the reasoning behind my fondness for the Fantastic Four. We'll wind up with a few more eye-catching covers that capture the greatness of the series. So after you feast your collective eyes upon them, let's share our thoughts about all things Fantastic! 

 

 

 

Rank and File: A Comic Art Hall of Fame...

Redartz:  Greetings once again! We're back at it again with a fun poser for you to consider, regarding your favorite comic covers. But first, a quick update for you. 

Several of you have inquired about the circumstances of my power outage and consequent general absence from this space last week. Well, the circuit breaker box on the side of our house literally melted; it's truly miraculous we had no fire. Obviously the power had to be cut, and between awaiting repairs, local safety inspectors and utility officials, we were stuck in the 'dark ages' for about 8 days. Not an experience I'd recommend for anyone, but we made it through. Fortunately the temperatures were mild for the most part. No longer will I take air conditioning and lights for granted!

Anyway, on to our topic. The premise: you have been selected to choose the artwork for a big exhibition. More specifically, this show will showcase comic cover artists throughout the medium's history. And with such a wide possibility of artists to choose from, space allows only 1 cover per artist. So, your task is to pick the artists, and choose a great representative cover for each artist,one that highlights their talent and impact.  As I'm a framer by trade, I'll see that your picks are safely framed, of course! 

Our gallery has several wings, so we can have a section for Golden age, Silver age, Bronze and Modern if you so choose. And while you begin your careful consideration, I'll submit a few nominations to  get the show started. Feel free to improve upon my picks as you see fit. As the week goes on, I'll try to post some more nominees based upon your comments; the better to fill our gallery.  See you at the opening!

My preliminary nominations:

Jack Kirby

Neal Adams

Dave Cockrum

John  Byrne

John Romita, Sr

Barry Smith

Walter Simonson

George Perez

Carmine Infantino

Joe Kubert

More to Come...

A bit late, but here are some of the nominated covers, presented for the appreciation and illumination of one and all. Thanks everyone for each response! And as suggested by our friend HB, you can look forward to seeing 'Hall of Fame Cover' pop up periodically on a single artist basis. Salutations!

Dave Cockrum

Jim Aparo

Steve Ditko

Rich Buckler

Nick Cardy

Mike Ploog

Herb Trimpe

John Byrne

John Buscema

Frank Frazetta

Mike Kaluta

Alan Davis

 

Panel Discussion: Definitive Artistic Achievements!

Redartz: Good day to you, and welcome! Today we present a challenge for you. I was recently looking over some favorite comics featuring some exemplary artwork, and the question occured to  me: What is the crowning achievement in artwork for your favorite comic artists? In other words, if you could only pick one single comic to showcase the talents of a given artist, what book would that be and why? 

It's a double bonus topic, because it gives us the chance to both discuss the artistic merit of some fine comics and also to leaf through some books just looking for examples! And though there are so many artists to work with, no limits will be set today- all companies, all genres, all eras.. Aaaaand, as this could get rather lengthy as a post (I could talk about artists all day), I'll limit my selections to three.  Here they are...

John Byrne:  Marvel Team-Up 79

I'll preface this with a salute to the obvious influence of inker Terry Austin. Our focus today is on the pencillers, who basically design the  page and determine the flow of the story. But in all cases, the inker has huge influence over the finished quality of the work.

As for John Byrne, he offers countless candidates for a 'best work'. So picking just one is nigh impossible; but I went with a personal favorite, MTU 79. Starting with this incredible opening splash page, the whole book is a showpiece of spectacular composition, gorgeous detail and dramatically portrayed action. Everything he draws just looks...right. From the close-ups of Mary Jane's eye to the stunning full page of Sonja leaping into action, literally every panel is a visual feast for any comic art aficionado.

 

Ross Andru:  Amazing Spider-man 136

Like Byrne, Ross has quite a few fine artistic 'performances'. But in his case, my choice was easier. ASM 136  is a classic, giving us Andru's first go at the Goblin. And he aces it. The facial close up in the third page shown below is excellent. And that spectacular double page spread is fantastic; Gobby almost literally flies off the page.

Equally important, this issue shows Andru's talent for architectural drawing. His rendering of the church below is truly striking, and shows his attention to accurate detail. T

Then there's that great page with the explosion in Peter Parker's aparment. The characters' expressions on this page are perfect, and the dramatic impact of the explosion is palpable. In short, this particular comic really displays Andru's strongest traits, and came immediately to my mind upon considering today's question.

 

Marshall Rogers:  Detective Comics 475


Marshall, in this case, is the beneficiary of the talents of inker Terry Austin; as integral is those talents were for Byrne in the above example. But  Marshall Rogers was a  master storyteller too, as seen in the pages below. The sequence illustrating Silver St. Cloud takes a challenging subject- basically a monologue- and plays it out into a varied series of panels, with varying viewpoints, which serves to maintain the reader's interest. 
It's effective, as is the panel progression showing the grisly effect of the Joker's gas upon his victim. And that iconic page depicting the Joker's entrance- absolutely perfect. The Joker is portrayed perfectly, both physically and by personality. 

And like Andru, Rogers showed his bountiful skills at cityscapes. This splash page intro is stunningly detailed. What a poster this page would make...

So, those three books are the ones I'd pick to represent Byrne, Andru and Rogers in a Comic Art Hall of Fame.  But somehow I just can't leave it at that, so  here's a few other 'quick picks':

Carl Barks:  "A Christmas for Shacktown" (Walt Disney's Christmas Parade 2)
Keith Giffen:  "Within the Darkness"  (Legion of Superheroes 293)
Joe Staton:  "There Shall Come a Gathering" (Showcase 100)
Walter Simonson: X-Men and Teen Titans

 All right, it's time you all had a turn. What do you think of these selections? What other artists  (and there are COUNTLESS) come to your mind, and what comics best exemplify their talents? Have at it, friends...