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| Is this iconic, or what? |
Redartz: Happy Monday, everyone! Recently we took a look at one of Martinex1's favorite (and many others' favorite as well) artists, Sal Buscema. Well, today we will look at one of my faves: John Romita, Sr. "Jazzy Johnny" is probably best known as the artist behind many of Spider-Man's greatest tales. He also,though, had stints on Daredevil, Fantastic Four, Captain America, and more. And he produced a veritable mountain of covers for Marvel throughout the Bronze Age, exceeded only perhaps by Gil Kane. And as Marvel's Art Director, Romita was responsible for keeping the 'house style' consistent over a long period of time. This was a task he was perfectly suited for; Romita could draw anyone in the Marvel Universe and they would look Just Right.
John Romita and Jack Kirby were the first artists I learned by name, and Romita was my favorite. Of course,as the artist on my number one book (yes, you all have heard that before, Spidey's my number one) he defined the character for me. I love Ditko, Kane, Andru, Frenz and McFarlane, but Romita's version is my Spider-man. His clean dramatic style. His iconic Peter Parker. His beautiful Gwen and Mary Jane. His flawless, abrasive Jonah Jameson. His menacing Doc Ock. His maniacally grimacing Green Goblin. He did it all so well...
First, a look at some examples of Jazzy Johnny's (non-Spidey) jewels:
Here is is on Conan, inking Kane on the left and Buscema on the right (Belit never looked better). These, flanking a classic Cap cover.
That cover painting of Son of Origins is phenomenal. Iron Man and the Surfer just shiiiine...
Now we see two versions of the same cover. Aside from the reversal of Spider-Man's position, Romita has slightly shifted the position of Mysterio's grip and highlighted the foreground more. Also, darkening the sky above the action emphasizes the 'closing in' aspect of the threat.
And now, a selection of some of my favorite Romita Spider-Man covers. Some classics, some not. That cover to issue 59, with Mary Jane- just terrific. Love how the scene is split by the stage curtain. It just displays, again, Romita's expertise with dramatic design and composition.
Issue 135, below, is perhaps my all-time favorite ASM cover. The characters, the drama, Spidey's perfect pose, the black spider motif: matchless. I have a repro of this cover hanging in my workplace...
The Spectacular Spiderman cover on the right is an example of Romita's more recent work. He still rocks the Goblin. And speaking of the Goblin, Romita's painting for the magazine issue is another classic.
Finally, a look at some pages showing Romita solo, and with others. Different styles, yet John's sharp, clear look always comes through.
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| Ron Frenz pencils, Romita inks |
An example of John's early work on Amazing, from issue 45. Still showing some touches of Steve Ditko here...
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| Romita pencils and inks |
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| Romita pencils, Jim Mooney inks |
Much as I enjoy color comics, there is an undeniable appeal to black/white art. Here we have a page from the first Spectacular Spider-Man magazine from 1968. Jim Mooney's inks are often pretty heavy, but I feel his style meshes well with Romita's...
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| Romita pencils, Jim Mooney inks |
This page shows us the work of two generations of Romita artists. John Jr. pencilling, with his dad inking.
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| John Romita Jr. pencils, JR Sr. inks |
A cool page from Spider-Man Annual 3. Good thing Romita left the top third of the panel open, any art would have been obliterated by all those dialog balloons...
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| Romita layouts, Don Heck pencils, Mike Esposito inks |
Here, Ross Andru with Romita. John adds a nice smoothness and polish to Andru's rendering.
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| Ross Andru pencils, Romita inks |
Last up, a powerful page by Gil Kane with Romita inking. This artistic combination is nothing short of spectacular (or should I say amazing). Kane's off-the-page energy and action, with Romita's finesse. Now this is Comics!
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| Gil Kane pencils, Romita inks |
Thank you all for letting me gush a bit today. But then again, if anyone deserved a column full of gushing admiration, it would be John Romita. Nuff' said.
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