Showing posts with label Joe Staton. Show all posts
Showing posts with label Joe Staton. Show all posts

Tuesday, October 26, 2021

Panel Discussion: Just Sharing a Few Favorites...

 



Redartz:  Over the years, from time to time, I've mentioned several comics that hold a high position in my status list. Today we're going to take a brief look at several of those favorites; consider each one a hearty recommendation! Each one is a potential source of  discussion' additionally  for this 'round table' everyone is encouraged to describe/ recommend / flaunt a choice book or books that you think everyone else would enjoy. 

Each mini review will also feature a page from the tale to give you a little sample, just to tantalize. So here we go, in no  particular order:



Batman / Spirit, by Jeph Loeb and Darwyn Cooke


. This teamup of two of my favorite characters would be a natural for my 'best 'list. Even more so when rendered by the wonderful Darwyn Cooke. His retro style perfectly captures the classic feel of the classic villains abounding herein. And abound they do; many of both Batman's and the Spirit's most famous foes are involved. Loeb's story is very entertaining, and winds around a fascinating crossover between Jim Gordon, Commissioner Dolan, P'Gell and Pamela Isley. Not going to spoil it for you, but it's a hoot. And, the interplay between the two main protagonists is likewise hilarious. Any fan of either Bruce Wayne or Denny Colt will love this.




Spirit Jam, by Will Eisner and just about everybody...


Will Eisner's most famous creation gets two appearances today, and he certainly deserves it. This phenomenal tale appears in Kitchen Sink Comix' "Will Eisner's The Spirit" issue 30, from 1981. Most of this series  presented reprints of Eisner's revered work, both of the Spirit and occasionally of other subjects. But this special issue brought together an unbelievable team of creators; too lengthy to go into ; but you can get an idea from the cover. Suffice it to say that the representative page here was done by Frank Miller and Terry Austin. 

As for the story, it involves an untold Spirit adventure, wrapped in a framing sequence tying in the very creation of the story itself! As in Batman/Spirit, many of the Spririt's rogues gallery are included. The story abounds in adventure, humor, and a bit of  the risque as well. It's great fun, and a big kick trying to identify the various artists' work from page to page (if you need to cheat, there's a breakdown on the letters page). 

This book can be had for a comparative pittance, but it's worth it's weight in gold (or perhaps golden age books?).

 

 

 

 Jonny Quest #2, by William Messner-Loebs, Wendy Pini and Joe Staton.


 The first two reviews were pretty light-hearted; this book is one of the most heartrending comics I've ever read. It gives us both the story of how Jonny's mother died, and also how Race Bannon came to join the Quest family. As  you would expect, Race keeps the requisite amount of excitement topped off, but the real focus here is the drama. Bill Messner-Loebs truly masters this ; with the most sensitive portrayal of Benton Quest you'll ever see anywhere. The level of characterization in this issue is off the charts, and it's impossible to read without a tear or two. But fear not, Loebs finishes the tale off with an optimistic air, and it's a most satisfying read. 

Artwise, it's nice to see Wendy Pini's take on the Quest group, and Joe Staton's inks are perfect for her pencils. 

Comico's "Jonny Quest" series was quite good in it's entirety, but this issue is the capper. A masterpiece of comics at their most human.

 

 

 

 

 Sensational Spider-Man Annual 1, by Matt Fraction and Salvador Larroca.



This book came out in  2007 as part of the ongoing "Back in Black" storyline in Spider-man, following immediately on the heels of the events of  "Civil War". I did enjoy "Civil War", not so much the soon-to-follow "One More Day" story. But regardless, this book, while being a part of that controversial arc, is actually a loving tribute to the classic Spider-Man (and Peter Parker) of the Silver and Bronze age. In "To Have and to Hold", Matt Fraction tells the story of an investigator trying to get hold of Peter through his then-wife Mary Jane. But MJ isn't about to betray her Pete, and proceeds to relate story after story of their past relationship. We are treated to some very nice moments with characters we've known and loved for years, and it's a gem. 

Artist Salvador Larroca does a phenomenal job with the visuals, giving each flashback sequence  a sense of the original artists. The page I've shown here channels John Romita Sr.,; he also does a very nice Ross Andru. 

This is one of those Annuals that can stand alone on it's own merits, as a testament to the classic Spider-Man of the past. And it's portrayal of Mary Jane shows why she's still my favorite match for Peter.

 

 


Sugar and Spike 25, by Sheldon Mayer.

I could have picked almost any issue of this series, but chose this one with it's charming Halloween cover as appropriate to the upcoming holiday. Anyone who has followed this blog probably knows of my fondness for Sheldon Mayer's two tempestuous tots. These stories are warmhearted, fun, amusing, cute, and an absolute pleasure to read. There were generally a couple multi-page stories in each issue, with a short or two included as well. Then there were the '"Pint-Size Pin-Ups" pages, with reader-submitted outfits for the kids. These pages were often cut out, which means of course that finding intact copies of an issue of "Sugar and Spike" can be challenging. But it's worth the effort. These are comics that children can read, but that adults can enjoy equally (if not more). It may be some testament to the book that while I've been parting with many comics in recent years, reducing the size of my collection, I still search out issues of "S & S" in hopes of someday completing the run. Partly because the only reprinted collection available had the first 10 issues, the next 90 are available only as originals. And the search continues, to which I can only add "Glx Sptzl Glaah"...





Okay, there you have five books that keep me a comics reader. Feel free to share your thoughts on them, and to spill the beans about any particular comics that will always have a special spot in your heart!

Tuesday, March 9, 2021

Panel Discussion: Looking for Adventure at DC...

 


Redartz:  It occurred to me recently that most of our comics discussions have focused on Marvel. With some reason, actually- I was always a Marvel Zuvembie first and foremost, so I write what I know. That said, there has been a great deal of DC in my collecting and reading as well. Going waaaaaaaay back to the beginnings, Superman was my first superhero title. Which I enjoyed, but the first DC book that really drew my interest was Adventure Comics. And it remained a favorite even into my college years. 

Adventure 369, an early favorite

 

 

 What was it about "Adventure" that grabbed me?  At first it was Superboy and the Legion of Superheroes. At the time, about 1967, Jim Shooter was writing it and Curt Swan was drawing it. Swan's art was familiar, as I'd seen it on the Man of  Steel. And Shooter was learning the ropes of scripting, developing talents I'd come to appreciate years later in the Avengers. Which of course I didn't know at the time, it just seemed that the stories with these super powered teens were more...convincing, more real, more dramatic. Compared, that is, to what was offered in "Superman" and "Action Comics". Superboy was familiar, but it took awhile to get used to so many other characters. Mon-El, Shadow Lass, Braniac 5; they even had cool names. Perhaps it was the combination of these factors that made "Adventure" an early read for me.  And I'll always be grateful to 'Adventure" for introducing me to the Legion, a group which would become one of my top picks, under Paul Levitz and Keith Giffen.

 

 

 

 

 

A few years later, upon returning to comics in a serious way, "Adventure" again piqued the interest. Michael Fleisher and Jim Aparo's Spectre tales were solid reading, and obviously the art was fine. I also got a kick out of "Black Orchid" (created by Sheldon Mayer, when he wasn't giving voice and life to
Sugar and Spike). Not being a fan of Aquaman, his takeover of hte book didn't excite me. Still later Superboy took over as the lead feature, which kind of had a Silver Age feel despite being published deep in the Bronze. 

 

 

 

 

 

 

 

But my favorite incarnation of "Adventure Comics" appeared in the later 70's, when Superboy moved into his own book: "New Adventures of Superboy".  Meanwhile, the original "Adventure" became a Dollar comic; no ads and a great lineup of features. Deadman, the JLA, Wonder Woman, Flash; a pretty  good deal for your dollar. Personally, I most relished Deadman by Len Wein and Jim Aparo, and the Justice Society by Paul Levitz and Joe Staton ( one highlight of that feature was the impressive death of Earth 2 Batman). . Sadly the book soon shrank back to 'normal' size, but it still featured a nifty cast: the new Starman , by Paul Levitz and Steve Ditko (!), and the wonderful Plastic Man by Martin Pasko and Joe Staton. Great book, one of the best of the era and often overlooked. 







Eventually I dropped "Adventure Comics" when it converted to an all-reprint digest format. But the title (and it's distinctive, original curvy logo) always stayed close to my heart.  Next up: a selection of Bronze Age Adventure Comics covers, showing the range of headliners it carried. Any fellow 'Adventurers' out there?

 

 

 

 

 

















 

Thursday, February 8, 2018

Panel Discussion: The Best Single Panels; Avengers Edition!



Redartz:  Hi fellow 'panelologists'! Awhile back you may remember we did a post examining some of the most striking individual panels from Bronze age Spider-Man comics. Well, it seems time to follow that up with a look at some great panels from the Avengers. Technically, some of these 'panels' are full pages, but still constitute a single image nonetheless. 

Choosing these examples was a very difficult task (although looking through all those issues was a treat to the eyes). The Avengers was blessed with some truly spectacular artwork over the course of our time frame here. The finest artists and inkers of the era were assigned to the title, and there was an embarrassment of fine panels from which to choose. So to add some degree of challenge, I tried to use some panels perhaps less obviously classics. And so, with no further delay, let's have a look at some Assembled Avengers.


Giant-Size Avengers 2 (Dave Cockrum)


Here's a panel, actually most of a page, from one of the greatest "Giant-Size" books Marvel ever published. The climax of the first Kang War, as Kang tries to identify the identity of the Celestial Madonna. Dave Cockrum inks himself here, and it shows as a labor of love. Excellent representation of time twisting as two of Kang's identities come together in battle.

The Avengers enjoyed some pretty fine Annuals, and this one was among the best. And the beautiful visuals from Golden and Gil are a big reason why. I love how much interaction Golden crams into this panel.
Avengers Annual 10 (Michael Golden and Armando Gil)

Speaking of Annuals, this was a classic. Jim Starlin's Thanos epic, in Avengers Annual 7. Here we have the last page of the story, and if there's a better way to visually summarize the tale's conclusion I can't imagine it. A truly perfect blending of scenes; Starlin cements himself as one of the Avengers' finest storytellers.

Avengers Annual 7 (Jim Starlin and Joe Rubinstein)




John Buscema was responsible for many great Avengers  Silver Age stories, and he was still riding high in the Bronze. Check out this incredibly touching panel of Cap after the war with Zemo. And mention must also be made of Tom Palmer's rich inks. Magnificent.

Avengers 277 (John Buscema and Tom Palmer)
Avengers 270 (John Buscema and Tom Palmer)







This art team was so good, they deserve another panel. Amazing composition in this example, and the perception of depth is enhanced by the heaviness of the foreground vs. the sparse background

Now we have Big John inked by Joltin' Joe Sinnott, another stellar teamup. This particular panel struck me for it's remarkable attention to individualizing what is basically a common henchman. Just a bit player, but Buscema really gives him a unique close-up for  his 'starring moment'.

Avengers 153 (John Buscema and Joe Sinnott)



Avengers 153 (John Buscema and Joe Sinnott)
From the same issue, we get this magnificent shot of a looming revived Wonder Man. Great framing between the buildings, and note the perfect alignment of the skyline between Wondy's legs. It's all in the details...


















And now here's another of the Avengers' greatest illustrators: John Byrne! This panel just jumped out at me; very unusual lighting: total darkness to the left, with Deathbird silhouetted by the white-hot explosion to the right.

Avengers 189 (John Byrne and Dan Green)


Avengers 189 (John Byrne and Dan Green)



And here's another panel from that issue, with another example of evocative lighting. Hawkeye is in total silhouette, framed by girders (it could almost be a fine-art etching). His pose, Deathbird's expression, the frame's balance; all perfection. Byrne's genius shows, once again.


Avengers 186 (John Byrne and Dan Green)
Another rather experimental panel from  Avengers 186 offers us a very memorable depiction of the Scarlet Witch. Now that looks like a Hex. I'm continually amazed by Byrne's variety of illustration techniques. Also, credit must be given to Dan Green's smooth, polished inking. Not overpowering, but nice: letting Byrne's dynamics shine through.


One more panel from Mr. Byrne, from the great issue 181. Here he does a masterful job at showing the Beast's acrobatics. It brings to mind some of Steve Ditko's depictions of Spider-Man...
Avengers 181 (John Byrne and Gene Day)

From John Byrne to George Perez; this is like touring a candy factory. Just too many goodies. This panel exemplifies some of Perez' strengths; group shots, detailed backgrounds, facial individuality, and solid composition. Plus he does the best 'Kirby Krackle' this side of the King himself.

Avengers 160 (George Perez and Pablo Marcos)


George Perez loves to fill each page, each panel, to the absolute maximum. Sometimes this involves the use of odd-shaped panels, repetitive panels. or tight spaces. This narrow gem was stuck mid-page, but it has enough detail for an opening splash...
Avengers 162 (George Perez and Pablo Marcos)




Avengers 162 (George Perez and Pablo Marcos)




This panel gives us a shining look at the Golden Avenger. The only other artist I can think of who gave us such a scintillating Iron Man was Bob Layton.


This panel is fascinating- so much action underway in such a small space. Perez depicts the ant-covered Wanda, struggling Iron Man, downed Cap, mid-stride Wonder Man and attacking Vision, all while also showing  Ant-Man's creative shrinking dodge. A fantastic panel from a fantastic issue.
Avengers 161 (George Perez and Pablo Marcos)


And here is another shot from that great issue, showing a powerful, determined Scarlet Witch. I'm not always comfortable with Pablo Marcos' inks, but he works wonders over Perez...


Avengers 161 (George Perez and Pablo Marcos)


Stepping back a few issues, here is a nice group shot from one of Perez' earliest stories. Avengers Assemble, indeed...


Avengers 151 (George Perez and  John Tartaglione)


Avengers 148 (George Perez and Sam Grainger)




And another early Perez offering; a cool low-vantage point shot of Cap and Iron Man. Note the fun use of the logos; borrowing here that lick from the old Justice League stories.

Next, another Avengers illustrator represented. This panel from George Tuska shows a bit of playfulness. Effective use of the  leaves and their shadows on the topless Vision, reflected also in Wand's hair. And speaking of Wanda, you can really see Vince Colletta's inks at work in her face...
Avengers 137 (George Tuska and Vince Colletta)

Our Pal Sal, responsible for countless Avengers tales through the years. Here's the opening page/panel from a classic. And I give much credit as well to Joe Staton's inking here. Staton really gives an attractive polish to Sal's pencils, he may be my favorite inker for SB.
Avengers 132 (Sal Buscema and Joe Staton)


Avengers 127 (Sal Buscema and Joe Staton)
Look at the expressions on Mantis and the Swordsman in this shot. Spot on. Incidentally, Mantis' face here has a Romita-esque flavor...


Here is another panel, from the opening page, from that same issue. It's a personal favorite: the first Avengers story I ever read. And this great group shot helps explain my fondness for the book.
Avengers 127 (Sal Buscema and  Joe Staton)

A couple years later, Sal gets inks from the ever-skillful Klaus Janson. Klaus, like Terry Austin, makes just about any pencilwork look even better.

Avengers 172 (Sal Buscema and Klaus Janson)


Avengers 117 (Bob Brown and Mike Esposito)



Next, here's a powerful panel from one of the greatest Avengers arcs of all: the Avengers/Defenders war. Bob Brown and Mike Esposito convincingly show the force of this struggle between two titans. In water, Namor would have the advantage, but here Cap seems to be more than holding his own.



Finally, how could we not acknowledge Neal Adams' early Bronze age Avengers work? This panel, from the spectacular issue 93, shows off Adams's talents beautifully. And, of course, Tom Palmer's contribution is not to be ignored. There is wonderful fluidity and motion to Ant-Man's figure and the grasping pseudopods  (love that term). And there is the 3-D effect of Ant-Man breaking the panel borders...
Avengers 93 (Neal Adams and Tom Palmer)
Well,there you have it. A selection of some eye-pleasing panels from some of the great creators of the Bronze, depicting some of the greatest characters of the age. No wonder researching such articles is a pleasure! And speaking of pleasure, what is yours? Do you agree with my choices, or are there others that jump out of your memory? This list of panels, and creators, is certainly not comprehensive; who and what got overlooked? By all means, look through a few of your issues and tell us what you come up with.



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